Jenny Foldenauer is an L.A.-based costume designer and recipient of the 2014 Ovation Award, LADCC and Stage Raw awards for Best Costume Design for Theatre @ Boston Court and Rattlestick Playwrights’ “Everything You Touch.” Foldenauer applies a variety of influences to her design work, especially considering how found objects and alternative materials can elevate design. She is currently experimenting by incorporating fiber optics and LED lighting into costumes. She holds an MFA in Theatre Design & Production from California Institute of the Arts and a B.S. in Design from University of California, Davis.
Pablo Santiago is a lighting designer originally from Chiapas, México who designs for theatre, opera, dance and gallery work. Santiago found a home in Los Angeles while he worked in the film industry for 15 years before obtaining an MFA in Lighting Design 2017 Sherwood Award Finalists Announced UCLA and transitioning into live stage design. Santiago integrates color theory into
his designs and surprises collaborators with innovative plots. Santiago is particularly interested in projects that highlight social justice issues and experiment with time onstage. His design in “Premeditation” was nominated for an Ovation Award in 2014 and he won a Stage Raw Award for “Brother’s Size” in 2015. Upcoming projects include the opera “Breaking the Waves” at the Perelman Theater for OperaPhila and Skirball Center in NYC, “Destiny of Desire” at South Coast Rep and Goodman Theatre in Chicago and “Zoot Suit” at the Mark Taper Forum.
Keith Skretch is a video designer that combines practices in video art, installation, interaction design, animation and live performance to craft compelling relationships between image, body and space. As a theatrical video designer he’s worked with artists including Mallory Catlett, Big Dance Theater, Palissimo, Phantom Limb Company, LA Contemporary Dance Company, Grand Lady Dance House, Son of Semele Ensemble, John Gould Rubin, Jay Scheib, Daniel Fish, Travis Preston and Zoe Aja Moore. His multichannel installations have been presented in New York and Los Angeles, and his experimental short “Waves of Grain” screened internationally and went viral online. Skretch has been a repeat collaborator of WNYC’s Radiolab and worked as a visual designer for The Hettema Group. He’s received a Bessie and a Henry Hewes Design Award for his stage work, and he holds degrees from the University of Chicago and CalArts.
Originally created in 1996, the Sherwood Award has met a vital need in the theatre landscape to support emerging artists. Richard E. Sherwood was a patron of the arts with a special appreciation for emerging artists who are in the vanguard of theatre. He was president and then chairman of the Center Theatre Group Board of Directors from 1980 until his passing in 1993. The award is established as an endowed fund at Center Theatre Group by his family, friends, colleagues and fellow board members, to honor Sherwood’s passionate commitment to theatre. Past recipients of the Richard E. Sherwood Award include Los Angeles artists Miwa Matreyek of Cloud Eye Control, Sean Cawelti of Rogue Artists Ensemble, Miranda Wright of Los Angeles Performance Practice, Lars Jan of Early Morning Opera, lighting designer Christopher Kuhl and costume designer Ann Closs-Farley, among others.