A podcast where playwrights talk to playwrights about the things usually left unsaid. In a conversation that dives into life’s muck, we learn what irks, agitates, motivates, inspires and — ultimately — what makes writers tick.
In this episode (after Brian gets over his anxiety), he and Carla Ching discuss her coming into her own as a New Yorker, despite being raised in Los Angeles. Carla talks about staying true to her identity regardless of outside pressure and the amorphous thing called “success.”
An LA native, CARLA CHING stumbled upon pan-Asian performance collective Peeling at the Asian American Writers Workshop and wrote and performed with them for three years, which she still considers her first theater training. Her plays include Nomad Motel (2015 O’Neill Playwrights Conference; workshop with Roundabout Theater Company), Fast Company (South Coast Rep, Ensemble Studio Theatre, Lyric Stage, Pork Filled Productions; winner of the Edgerton New American Play Award and The Seattle Times’ Footlights Award for Top Play on a Smaller Stage), TBA (2g), The Sugar House at the Edge of the Wilderness (Ma-Yi Theater Company), and The Two Kids That Blow Shit Up (also currently running at Artists at Play in Los Angeles). She’s an alumna of The Women’s Project Lab, the Lark Play Development Center Writers Workshop, the CTG Writers’ Workshop and the Ma-Yi Writers Lab. Former Artistic Director of Asian American Theater Company, 2g.TBA is published in Out of Time and Place. Fast Company is published by Samuel French. BA, Vassar College. MFA, New School for Drama. Proud member of New Dramatists and The Kilroys. On television, Carla has written on USA’s Graceland, AMC’s Fear the Walking Dead and is currently writing on Amazon’s I Love Dick. carlaching.com & @carlaching